Manhattan Transfer quotes

Front Cover of John Dos Passos's Manhattan Transfer
Manhattan Transfer (Purchase on – affiliate link

The following quotes are from John Dos Passos’s 1925 novel Manhattan Transfer. Page numbers correspond to the 1959 Bantam Books Classic edition.

“Looking out the window was like looking down into water. The trees in the square were tangled in blue cobwebs. Down the avenue lamps were coming on marking off with green shimmer brickpurple blocks of houses; chimney pots and water tanks cut sharp into a sky flushed like flesh.” – Page 5

“He walks faster along roaring pavements where the sun shines through the Elevated striping the blue street with warm seething yellow strips. No more’n a needle in a haystack.” – Page 14

“He was walking through tall white highpiled streets, stalking in a frock coat with a tall white collar up tinfoil stairs, broad, cleanswept, through blue portals into streaky marble halls where money rustled and clinked on long tinfoil tables, banknotes, silver, gold.” – Page 17

“Outside the lemoncolored dawn was drenching the empty streets, dripping from cornices, from the rails of fire escapes, from the rims of ashcans, shattering the blocks of shadow between buildings. The streetlights were out. At a corner they looked up Broadway that was narrow and scorched as if a fire had gutted it.” – Page 31

“I never see the dawn that I don’t say to myself perhaps.” – Page 32

“The light of the sunset flamed in the windows of factories on the Long Island side, flashed in the portholes of tugs, lay in swaths of curling yellow and orange over the swift browngreen water, glowed on the curved sails of a schooner that was slowly bucking the tied up into Hell Gate.” – Page 52

“Mooing of steamboat whistles, ferries red and waddly likes ducks churning up white water, a whole train of cars on a barge pushed by a tug chugging beside it that lets out cotton steampuffs all the same size.” – Page 54

“Bars yawner bright to them at the corners of rainseething streets. Yellow light off mirrors and brass rails and gilt frames round pictures of pink naked women was looped and slopped into whiskeyglasses guzzled fiery with tipped back head, oozed bright through the blood, popped bubbly out of ears and eyes, dripped spluttering off fingertips.” – Page 74

“Bright topstory light brims the walnutpaneled diningroom, glints twistedly on silver knives and forks, gold teeth, watch-chains, scarfpins, is swallowed up in the darkness of broadcloth and tweed, shines roundly on polished plates and bald heads and covers of dishes.” – Page 92-3

“Sunlight dripped in her face through the little holes in the brim of her straw hat. She was walking with brisk steps too short on account of her narrow skirt; through the thin china silk the sunlight tingled like a hand stroking her back. In the heavy heat streets, stores, people in Sunday clothes, strawhats, sunshades, surfacecars, taxis, broke and crinkled  brightly about her grazing her with sharp cutting glints as if she were walking through piles of metalshavings. She was groping continually through a tangle of gritty sawedged brittle noise.” – Page 108

“Across Park Avenue the flameblue sky was barred with the red girder cage of a new building. Steam riveters rattled incessantly; now and then a donkeyengine whistled and there was a jingle of chains and a fresh girder soared crosswise in the air. Men in blue overalls moved about the scaffolding. Beyond to the northwest a shining head of clouds soared blooming compactly like a cauliflower.” – Page 147

“She is a walking in her wide hat in her pale loose dress that the wind now and then presses against her legs and arms, silkily, swishily walking in the middle of great rosy and purple and pistachiogreen bubbles of twilight that swell out of the grass and trees and ponds, bulge against the tall houses sharp gray as dead teeth round the southern end of the park, melt into the indigo zenith.” – Page 159

“The terrible thing about having New York go stale on you is that there’s nowhere else. It’s the top of the world. All we can do is go round and round in a squirrel cage.” – Page 174

“The sun is heavy like his arm across her back, strokes her bare forearm the way his fingers stroke her, it’s his breath against her cheek.” – Page 190

“Kerist I wish I was a skyscraper.” – Page 198

“They came out on deck into a dazzling September afternoon. The water was greenindigo. A steady wind kept sweeping coils of brown smoke and blobs of whitecotton steam off the high enormous blueindigo arch of sky. Against a sootsmudged horizon, tangled with barges, steamers, chimneys of powerplants, cover wharves, bridges, lower New York was a pink and white tapering pyramid cut slenderly out of cardboard.” – Page 216-17

“It was a sunny day, the sky was a robin’s egg blue. He turned north and began to walk uptown. As he got away from it the Woolworth pulled out like a telescope. He walked north through the city of shiny windows, through the city of scrambled alphabets, through the city of guilt letter signs.” – Page 273

“In Yonkers I buried my boyhood, in Marseille with the wind in my face I dumped my calf years into the harbor. Where in New York shall I bury my 20s?” – Page 275

“You are all bored, bored flies buzzing on the windowpane. You think the windowpane is the room. You don’t know what there is deep black inside…. I am very drunk. Waiter another bottle.” – Page 281

“His mind unreeling phrases, he walks on doggedly. There’s nowhere in particular he wants to go. If only I still had faith in words.” – Page 285

See also:

%d bloggers like this: